Best Playwriting Books of 2025

The Science of Storytelling by Will Storr is a compelling and groundbreaking guide to creative writing that reveals how the brain responds to storytelling. Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can write better stories. The author's choice of examples ranges from Harry Potter to Jane Austen to Alice Walker, Greek drama to Russian novels to Native American folk tales, King Lear to Breaking Bad to children’s stories. This book is destined to become an invaluable resource for writers of all stripes, whether novelist, screenwriter, playwright, children’s writer, or writer of creative or traditional nonfiction.

The Art of Dramatic Writing by Lajos Egri is a comprehensive guide to play construction, applicable to novels, short stories, and screenplays. Egri delves into the heart of drama, which is the characters, and their relationships. He emphasizes the importance of understanding human behavior and motives to develop a compelling premise, characters, and conflict. This book effectively demystifies the creative writing process, offering practical tools and techniques for writing realistic plays and screenplays. Overall, The Art of Dramatic Writing is an invaluable resource for writers seeking to achieve truth in their writing.

Into the Woods: A Five-Act Journey Into Story by John Yorke is a must-read for all aspiring scriptwriters. The book uses the Shakespearean five-act structure to analyze storytelling in all narrative forms, including film, television, theatre, and novel-writing. With examples from popular works like The Godfather and True Detective, Yorke takes the reader on a historical, philosophical, scientific, and psychological journey to the heart of storytelling. This book is an original, useful, and inspiring addition to any writer's library.

Who's Afraid of Virginia Woolf?: Revised by the Author is a darkly humorous play that won the Tony Award for Best Play. The story portrays a bitter marriage unraveling in a searing night of dangerous fun and games. By the end of the evening, a stunning revelation provides a climax that has shocked audiences for years. Edward Albee's masterful play with its razor-sharp dialogue and stripping away of social pretense is a brilliantly original work of art. It is a crucial event in the birth of contemporary American theater and towers over the common run of contemporary plays.

Rosencrantz and Guildenstern Are Dead is a modern masterpiece that tells the story of Hamlet from the perspective of two minor characters. Tom Stoppard's play is a fabulously inventive and multidimensional tale that mixes reality with illusion and fate, leading the two heroes to a tragic end. The book has been revised and reissued to commemorate the fiftieth anniversary of its first performance, including a new introduction and previously unpublished material. The play has received praise for its brilliant writing, thought-provoking themes, and hilarious moments. Overall, Grove Press's edition of Rosencrantz and Guildenstern Are Dead is a must-read for anyone who appreciates excellent playwriting and a unique perspective on a classic tale.

The book "Character: The Art of Role and Cast Design for Page, Stage, and Screen" is the third volume of Robert McKee's trilogy on the art of fiction. In this book, McKee provides insights into creating compelling characters and designing their casts. He explores the dimensionality, complexity, and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles. The author's teaching has earned him an international reputation, and his alumni include the winners of over 70 Academy Awards, 250 Emmy Awards, and 100 Writers Guild of America Awards. "Character" is a must-read for anyone interested in storytelling and playwriting.

ACTION: The Art of Excitement for Screen, Page, and Game is a must-have guide for writers who want to create a successful action story that stands out from the clichés. Robert McKee and Bassim El-Wakil deconstruct the action genre and provide writers with the keys to originality, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity. The book references popular action movies like Die Hard, The Matrix, and Avengers: Endgame. Overall, this book is a valuable addition to the McKee storytelling library and is highly recommended for professional action writers.

Baby, Let's Play House: Elvis Presley and the Women Who Loved Him by Alanna Nash is an eye-opening book that explores the King's relationships with women and how they influenced his music and life. Through exclusive interviews with the many women who knew him, Nash reveals a charming but wounded Lothario who bedded scores of women but seemed unable to maintain a lasting romantic relationship. The book is a major contribution to Presley lore and a well-crafted addition to our understanding of his strange, triumphant, and tragic life.

For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf is a powerful and timeless play that tells the stories of Black women and their experiences. Ntozake Shange's words are passionate and fearless, revealing the struggles of women of color in the 20th century. The play has been inspiring and transforming audiences for nearly fifty years, and this edition includes new introductions by Jesmyn Ward and Camille A. Brown, as well as one new poem. Shange's writing is exquisite, and her message is one of courage and sisterhood. This book is a must-read for anyone interested in African American dramas and plays.

The book "Backwards & Forwards: A Technical Manual for Reading Plays" is a guide for students and practitioners of both theater and literature that complements traditional methods of literary analysis of scripts. It provides tools for investigating plot, character, theme, exposition, imagery, conflict, theatricality, and other crucial parts of the superstructure of a play. The author, David Ball, developed his method during his work as literary director at the Guthrie Theater. The book is immensely useful for those who want to put plays on the stage, and it's a fine playwriting manual because the structures it describes are the primary tools of the playwright.